

Szívszerelme, Roxane egy nála átlagosabb észbeli képesség férfit részesít elnyben, aki azonban fiatal és jókép, ráadásul Cyrano barátja. De nagyhangúsága, gúnyolódó kedve érzékeny lelket takar. The story, the “ugly” romantic swordsman helping a lesser wit Christian ( William Prince) properly woo Cyrano’s lovely cousin Roxanne ( Mala Powers) hits its well-worn marks.īut it’s the rapier-sharp wit (sorry) that the play and film are famous for, and Ferrer’s peerless performance of those snobby sneers that make this classic timeless. Cyrano is directed by Joe Wright (Pride & Prejudice, Atonement) and hits theaters in December. Cyrano de Bergerac tipikus gascogne-i, kissé korpulens, torkos, nagyivó, és rettenten nagy az orra. The swordfights (there is some doubling) are first rate, among the best of the era. Cinematographer Franz Planer (“Roman Holiday,” “20,000 Leagues Under the Sea”) ensured that if you’re ever channel surfing and stumble across it, as I often do, there’s no mistaking it for any other musketeer-era period piece of its day.ĭmitri Tiomkin serves up a romantic and swashbuckling score. De nagyhangsga, gnyold kedve rzkeny lelket takar. Cyrano de Bergerac tipikus gascogne-i, kiss korpulens, torkos, nagyiv, s rettenten nagy az orra.
CYRANO DE BERGERAC FILM IZLE MOVIE
This movie is just gorgeous to look at - all deep shadows and brightly-lit swordfights. Synopsis: A dashing officer of the guard and romantic poet, Cyrano de Bergerac is in love with his cousin Roxane without her knowing. Tags: egyben film magyarul spiritulis teljes. “I have been ROBBED,” Cyrano fumes, counting the armed brigands surrounding them.

This production was originally staged by American Conservatory Theater and shown on PBS as part of the Theater in America series. Cyrano escorts the man home, and damned if the goons don’t set upon them at the front entrance to the bakery. Cyrano de Bergerac is a 1972 videotaped television production of Edmond Rostands famous play about the lovestruck swordsman with the long nose. My favorite line, in all of classic adventure cinema, comes early in the 1950 version of “Cyrano de Bergerac.” Most other screen adaptations of the Edmond Rostand 19th century play leave it out, but maybe that’s because no one else could pull it off with the panache of the great José Ferrer back in 1950.Ĭyrano (Ferrer) has already busted up a play which wasn’t up to his liking, fought a vigorous duel with a noble swell who takes umbrage in the notion that “Everybody’s a critic” and takes his best shot at making fun of de Bergerac’s nose.Īnd he’s been warned to help a political gadfly/poet and baker friend ( Arthur Blake) about to be beset by “a hundred” goons hired by the royal authorities.
